migration @en | Christina Felschen

migration @en | Christina Felschen

Crossing – What if people die in your backyard

broadcasted on German public radio SWR on November 7 and 8, 2016, and again on August 14, 2018 >

Kat Rodriguez has one of the toughest jobs along the U.S.-Mexican border. She helps Central American families find relatives who have disappeared on their journey to the United States. All too often, their bodies are found in the Sonoran Desert behind Kat’s house. On her mission to stop the deaths, Kat crossed the desert on foot with 70 women, men, teenagers, and me. Join us in my radio feature.

The Taliban on their heels

part of the photo exhibition “…und plötzlich diese Stille” (…suddenly there is silence), on display in the townhall of Wadersloh, Germany, as of April 20, 2016 >>

In Germany, Kainat can finally go back to school. Her family fled from a remote Pashtun village still ruled by the Taliban, who forbid her to leave the house. In rural Westphalia, the eleven of them easily make friends as they are all avid football players. All of them except one-year-old Sana who prefers sitting on the ball to kicking it.

Frantic with worry – why so many men escape without their family

part of the exhibition “…and suddenly there is silence”, on display in the townhall of Wadersloh, Germany, as of April 20, 2016 >>

Sulyman is angry. Angry with himself, because he cannot do anything but “sleep, eat, drink” – in a house with 40 other worrisome men. And he is angry with the authorities. Six months have passed since his application for asylum; six months, in which his wife and small children have persevered between the front lines waiting for a family reunification visa. What, if the Syrian war is faster than the German authorities?

First times – Iranians in a German village

part of the photo exhibition “…und plötzlich diese Stille” (…suddenly there is silence), on display in the townhall of Wadersloh, Germany, as of April 20, 2016 >>

Farkhondeh*, Kurosh and their two daughters were betrayed. While they were on vacation, the Guardians of the Islamic Revolution broke into her house in Tehran and found figures of angels and crosses. Evidence. As Christians, they would have been immediately arrested upon entry. A smuggling truck was their salvation – but first, it was nearly their end.

“Too safe to die, too poor to live”

part of the photo exhibition “…und plötzlich diese Stille” (…suddenly there is silence), on display in the townhall of Wadersloh, Germany, as of April 20, 2016 >>

Marjeta and her friends aren’t refugees and yet they applied for asylum because they can not apply for a visa. They come from a so-called safe country of origin”, Albania, and might be deported anytime. To rid her family of hospital debts, they need to earn money in Germany. A local company wants to employ them, but their work permit is still pending.

Die Ästhetik des Unsichtbaren

veröffentlicht im SÜDLINK, dem Nord-Süd-Magazin von Inkota, 09/2011, S.32 >>

„Clothing“ heißt die Serie der niederländischen Fotografin Judith Quax – „Kleidung“, nichts weiter. Mehr ist ja auch nicht zu sehen auf den puristischen Fotos: Shirts und Jeans an einem verlassenen Strand. Sand und Wasser dringen in die Ärmel, blähen den Rumpf auf und nehmen langsam die Form der Körper an, die diese Kleider gerade noch trugen.

The last days of the Sundarbans

published in Südlink magazine 12/2010 in German >>

In a mangrove forest on the shore of the Indian Ocean the British photographer Peter Caton portrayed the first victims of climate change – islanders who are dislodged by rising waters and cyclones.

“Like a leaf in the wind” – Victoria’s patchwork life

Victoria’s life seemed settled and decided when she was only in her mid-twenties. But the fall of the Soviet Union changed it all.